Jack Carlson Photography

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See–Think–Act

November 3, 2019

First snow foils flowers.

The first significant snow of the 2019-2020 winter season fell the other day. While we were told it was coming, few people I spoke with wanted to believe it. For as often as weather forecasts are wrong, this prediction was spot-on and we got the best part of 6-7 inches here at the old photo shop. Didn’t take long for snow to accumulate on the last of the red flowers in the box, so I had to find a camera.  SEE: The light on the first attempts was flat and did nothing for either the white (snow) or red (flowers) that made up the entire scene.  THINK: The ambient light subject area needed to be increased so I used a large white card to reflect light on to the the flowers. Not enough help from the card, so only one thing left.   ACT: I had to add flash but not from the built-in flash on the camera since it would be too direct to create any shadows. An off-camera flash unit with a coil-cord to connect it to the camera body proved once again to be most useful as you’ll see in the shot I’ve added to this piece. Keep your photo gear in a convenient place since time, like the weather,  is not always your friend.

For all of you who need to know the camera settings, they are: 110 mm focal length, f 7.1 @ 1/15th, e/v -.3, WB Flash, ISO 80, Center-weighted metering, tripod

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Weekly Photo Tip

Bright Light and Melting Snow Shots

Don’t leaf good subjects in the snow.

Even though it may be melting, the snow that’s still around the Carlson Camera Clubhouse is acting like a giant white board when it comes to reflecting light. When set to either A (or Av) or S (Tv), the camera’s light meter may want to shut down a bit since it’s only goal is to even out the light in any scene. If your snow shots are looking a bit gray they are either (very) old monochrome snaps or under-exposed newer images. What’s to do? Remember your old friend , the exposure compensation setting. You may be lucky enough to have a +/- button on the camera body which you can press then turn the thumb wheel to add or subtract light in 1/3 stop increments. If no button, look for light or exposure adjustments in the camera’s menu where you can find, then change the light level.

Remember this old bromide: When it’s bright, Add Light. No, I didn’t come up with that line, but I continue to perpetuate its use. You should, too.              

Also, remember to shoot BEFORE action happens to capture movement in the frame. Once you see it, then push the button, it’s too late.

Shoot before you see it drop.

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About Jack

A classically trained musician since childhood, Jack Carlson always had the “ear” of an artist. It was only a short step to develop the artist’s “eye” as well.

The portfolio of this certified photographer reveals images that emphasize mood and composition. Their purpose is to present a feeling in addition to portrayal of person, place or thing. Sometimes that feeling is nostalgia; other times it is serenity.

Each photograph tells a story.

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